From Awkward Middle Phase: Seth Timbs' Home Demos, Volume One
At some point, we have to wake up from our slumber and ask, “When will it amount to something?” And then we must step up and strive for the lives we once dreamed we were destined for. The song speaks of people whose lives are lived as a series of accidents, with the speaker aspiring to live beyond the mundane and hoping to become something more. The song implies a link between loneliness and this trend, declaring, “Thank God!” as the vanquishing of lonely days can set one free and allow oneself to “amount to something.” At its end, the song invites the listener to put away his or her cares in order to declare that the lonely days are gone, and that this declaration can free the person, not from finding someone who makes all the lonely feelings go away, but instead overcoming those feelings and recognizing how detrimental they can be in one’s personal journey.
For this reason, this song quickly became a highlight for me as I began attending Fluid Ounces shows. The beauty of its melody, the intensity with which the message was delivered, and the message itself were just what I needed at that point. And sometimes its worth giving it a close listen to remind myself of something I may have forgotten. Thank God, indeed.
This song was performed throughout the Doug Payne era. Jason Dietz stylized the song with a certain panache it never would receive again, playing the catalog’s only true bass solo in the outro. The song was released on Awkward Middle Phase as one of the handful of songs recorded by Seth Timbs, Doug Payne, Trev Wooten and Sam Baker as a band. Its epic piano intro could have made it a fine choice for the opening track to The Whole Shebang, but it was left off and unreleased until the demo vaults were first opened for us.
The video here is from the July 7, 2001, performance at the Boro.