From The Whole Shebang
Many Fluid Ounces songs reference working jobs (“Amount to Something” and “Tokyo Expressway” immediately come to mind), but “Lazy Bones” is the only one in which it is apt to say the song is about working. It is about a lot of other things as well, but its central theme is working.
This gives it a unique perspective among many rock songs anyway, since most Americans spend the majority of their adult lives at some place of employment, and few songwriters, especially in the mainstream, seem to tackle this subject in their songs. The song masterfully interweaves notions of relationships and friendship into the song, seamlessly encompassing both into a day of work just like we all do every day, so effortlessly that we don’t realize it happens, either in our lives or in the recording. Beyond that, the song’s title and refrain reach out to us, to that side of ourselves that never wants to go to work, that just wants to sleep in every day and lie about every afternoon, forcing ourselves to instead gather up our lazy bones. I’ll spare you by not re-printing all the brilliant imagery of this song and instead just ask you to give it another listen if you haven’t heard it in a while.
“Lazy Bones” was the first song written or performed for The Whole Shebang, performed only once or twice with Justin Meyer on drums while they were still doing guitar sets. He left the band, and I was sure that song had gone the way of “Out of Your Element” and “Cops and Criminals.” I would have had little recollection of since I had no recording of it, except that the demo for it turned up for download on mp3.com (I am presenting that recording here in all its glory). I played that recording endlessly, and to this day I prefer it over what we hear on TWS—I always thought Kyle Walsh’s drums were a little over-the-top, both in production and in notes played, on that track. Regardless, I was elated when I was handed an advance copy of that record and saw that it was actually on there. The song was resurrected when the band re-formed in 2004, but its tenure was short-lived as Brian Rogers vetoed playing that song, much to the chagrin of everyone who sees the band regularly. I’ll allow him to beg our forgiveness and attempt to explain himself in the comment section…